Throughout, he shows how the representation of play in all types of literature mirrors the most important social and political rifts in postrevolutionary France, while also serving as propaganda for competing political agendas. Corry Cropper examines what shaped these games of the nineteenth-century and how they appeared as allegory in French literature (in the fiction of Balzac, Merimee, and Flaubert), and in newspapers, historical studies, and even game manuals. Playing at Monarchy looks at the ways sports and games (tennis, fencing, bullfighting, chess, trictrac, hunting, and the Olympics) are metaphorically used to defend and subvert, to praise and mock both class and political power structures in nineteenth-century France. During this period, sports and games became the symbolic cultural battlefield of an emerging modern state. Games either evolved from Old Regime spectacles into bourgeois pastimes, such as hunting, or died out altogether, as did trictrac. The revolution, however, challenged the notion of noble privilege, and leisure activities began spreading to all levels of society. Prior to the French Revolution, sports and games were the exclusive domain of the nobility.
Distributed worldwide by Rutgers University Press.For centuries sports have been used to mask or to uncover important social and political problems, and there is no better example of this than France during the nineteenth century, when it changed from monarchy to empire to republic. Humorous and largely unknown, these plays use Mormonism to explore and mock changing French mentalities during the Third Republic, lampooning shifting attitudes and evolving laws about marriage, divorce, and gender roles. Corry is registered to vote in Utah County, Utah. Each is accompanied by a short contextualizing introduction with details about the music, playwrights, and staging. Corry Leigh Cropper is listed at 3584 Piute Dr Provo, Ut 84604-4806 and is affiliated with the Democratic Party. Aren't Mormon women, because of their numbers in a household, more liberated than French women who can't divorce? What is polygamy but another name for multiple mistresses? This new critical edition presents translations of four musical comedies staged or published in France in the late 1800s: Mormons in Paris (1874), Berthelier Meets the Mormons (1875), Japheth’s Twelve Wives (1890), and Stephana’s Jewel (1892). Unlike American authors who portrayed Mormons as malevolent “others,” however, French dramatists used Mormonism to point out hypocrisy in their own culture. In the late nineteenth century, numerous French plays, novels, cartoons, and works of art focused on Mormons. Winner of the 2021 Best International Book Award from the Mormon History Association By looking at how it influenced French attitudes towards politics, national identity, technology, fashion, fitness, and gender roles, this book shows how the short-lived craze of velocipedomania had a big impact. It also reprints scores of rare images from newspapers and advertisements, analyzing how these magnificent machines captured the era’s visual imagination.
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Giving readers a window into the material culture and enthusiasms of Second Empire France, it provides the first English translations of 1869’s Manual of the Velocipede, 1868’s Note on Monsieur Michaux’s Velocipede, and the 1869 operetta Dagobert and his Velocipede. It explores how the device was hailed as a symbol of France’s cutting-edge technological advancements, yet also marketed as an invention with a noble pedigree, born from the nation’s cultural and literary heritage. Velocipedomania is the first in-depth study of the velocipede fad and the popular culture it inspired. The immediate forerunner of the bicycle, the velocipede similarly reflected changing cultural attitudes and challenged gender norms. When blacksmith Pierre Michaux affixed pedals to the front axle of a two-wheeled scooter with a seat, he helped kick off a craze known as velocipedomania, which swept France in the late 1860s.
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